Best Film Gear During Coronavirus!
As the production industry attempts to increase business and productions, it's important to be safe. There are always risks on set, but there are solutions for safety.
Similar to taping down cables, using shot bags on stands, and keeping clear pathways, COVID safety is key! Wearing a mask it a no brainer. It will help keep you and the crew safe... and it masks bad breath! Nevada law requires masks in most businesses and situations; sets and studios are no exceptions. Your on-screen talent is generally exempt from wearing a mask when on camera.
Audio:
Lavaliere microphones should be used a little as possible. If a lavaliere is required, the talent should put it on themselves. A much better option is a shotgun microphone and boom pole. Both the Sennheiser MKH 416 and Schoeps CMIT 5 (my favorite) are great options! Another fun trick, if you're doing ENG interviews, is to use a handheld microphone on a boom pole. You can take the excellent Sennheiser MD 46 cardioid mic, put it on a boom pole, and keep your distance!
Makeup, Wardrobe, Hair:
Talent should come to set with their hair, makeup, and wardrobe done. If however you need touchups or small fixes, crew should wear masks, visors, and gloves. All of these items are readily available for purchase, and don't cost much. The typical problem of a little shine on talent is easily remedied with "shine killer". NYX makes a great "shine killer" that talent can easily apply to their own skin.
Lenses and 4K:
Lastly, while the CDC and other medical experts have said that masks are the key to stopping the spread, socially distancing is needed too. You can only stay so distant on set, so here are a couple items to help you along. Use a longer lens like a Canon 70-200mm L-Series; or heck, a 100-400mm lens, and shoot from really far away! Also, consider investing in UHD/4K. Having the ability to crop in will make it possible to stay further apart, and have less people on set. (The idea is you don't need as many cameras...)
So, there are some ideas and suggestions to keep us safe, healthy, and working. Best of luck!
Matching cameras on Multi-camera shoots.
How important is it to match cameras (make and model) on multi-camera shoots? Like everything in production, that depends on your end goal. Generally speaking, you always want to match not only brand (make), but also the model of camera. There are differences for instance, between the image produced by a Sony FS7 MkII and a Sony a7S II, but it's not a huge difference. You could dive into the specs of the processors, image sensors, color space, etc., but when push comes to shove, they're very similar. Let us hypothesize a few scenarios:
Two-subject, three-camera interview. Budget is always the driving factor in production. Using a DSLR as your lock-off wide shot for a two or three person interview is great. You can easily match shooting specs, and shoot without a color profile. Additionally, run audio to your nicer cameras capturing the singles, and you're great.
Event coverage with interviews. If you have the budget to have a Sony FS7, Canon C300 MkII, or similar, you want to take advantage. However, getting smooth gimbal or slider shots is much easier with a DSLR and Ronin-S or Cinevate Duzi (think small and light). The b-roll that you're using to compliment your interviews will look great as long as you're matching camera makes (Canon with Canon, etc.)
Different cameras, same assignments. If you have two crews capturing similar content, but using different brands of cameras. The common viewer may not notice, but an experienced client probably will.
All in all, while the world won't end if you mix camera brands or models... life will be easier if you don't.
Loading Production Gear into Las Vegas Hotels.
Las Vegas Video Production often happens in, on, and around The Strip. Whether you're on Las Vegas Boulevard or in one of the many properties, it's important to know how to get around. Logistics are of course, a huge part of any production. That being said, how do you get your gear into the hotels? Can you just push through the front doors? Do you have permission to use the Loading Dock? Maybe just bring a flashlight and record on your iPhone?
A lot of times, if you have a Grip Cart or less worth of gear, you can push through the lobby/hotel. If you have multiple or larger carts, you may need to use the loading dock. Gaining access to the loading dock always requires permission, and occasionally an appointment. By simply calling the property, you should be able to set up a time to use the loading dock for a short while. Remember that docks are busy places, so you have to be quick and usually can't leave your vehicle.
In rare instances, the loading dock will actually be more trouble than not, and so, it's best to use self parking. Remember, it's easier to ask for forgiveness than permission. All told, most properties are willing to accommodate, and they're grateful for the business your client brings. If you work with them, they're usually willing to help you out. If you have any questions, drop us a line!