F11 Exterior scaledAnti-Theft

Anti-Theft

Protecting your equipment and crew doesn't start and stop on set, it's a full time objective that deserves the utmost attention. Safely and securely storing your equipment, transportation to and from set, and diligence on location, safety and security are a top priority. There are a few main areas to focus on when it comes to protecting your equipment and personal property from theft.

First, how secure is your equipment at your home/office/studio? Do you have a gear cage, are the cases locked, how inconspicuous is your setup? Cages are not cheap, for sure, but there are some steps you can take to protect your items if that setup won't work for you. Padlocks and zip ties on gear won't necessarily stop the item from being taken, but it may deter a potential thief from knowing what you have. From our experience (unfortunately), not every thief knows the value of that Sennheiser MKH416 shotgun microphone, or that that Sigma Cinema lens is more expensive than the Sony a7S. Instead, they'll go for headphones, laptops, things they recognize. This can be a good thing if they make off with something relatively inexpensive and easy to replace, but being robbed is always a horrible experience. Being inconspicuous has real value, what can you do to make it as difficult as possible to see/recognize your equipment?  What can you do to conceal your items going in and our of their storage place? Work harder than the thief would. Think like a thief. Have people you trust look at your setup and make sure you're not missing something.

Gear in your car. Here's a difficult one. You've got to get it to location somehow, and sometimes you need to leave your equipment in your vehicle while you grab food, get gas, etc. One thing you should never, ever do, is leave gear in your car overnight. At very least, take cameras, lenses, microphones, computers, all the really good stuff that thieves will recognize, and bring them with you. A couple extra cases lugged into your hotel or even into Chipotle is worth not getting broken into and robbed. Thieves work quick! You may think you're just having a 20 minute meal, but it only takes a couple minutes for someone to walk by your vehicle, notice that laptop bag on your passenger seat, and smash and grab.

Lastly for now, gear on set. Just because you've made it on set, does't mean you're safe. Do you know everyone on set? Are there additional staff, people around who may have an opportunity to grab something? It's one thing for someone to walk by your vehicle and know what they're looking it, it's a whole different story once all your amazing equipment is out in the open. If you're in a room at the L.V. Convention Center, the Sands Expo, or a suite at Mandalay Bay, make sure that you know your gear is watched over before you run off to grab a coffee or leave for the evening.

In conclusion. You don't want to live paranoid, but you also don't want to have your expensive and wonderful equipment stolen. Be diligent, invest in insurance, and be smart. A lot of this is simply premeditated steps you can do to ensure that you're operating using good habits. Best of luck, and see you on set!


C70 4Canon EOS C70 Cinema

Canon EOS C70 now available!

We have exciting news! We've acquired a few of Canon's new ESO C70 cameras. These cameras are absolutely wonderful, and we would love to tell you about them...

Canon wanted to provide the Cinema EOS quality camera in an EOS R size unit. Think of this camera as a C300 Mark III as a really big DSLR. The size of the camera provides great flexibility and range in how you can support the camera, whether that be by a lighter tripod than the Cinema EOS cameras, a smaller gimbal such as the Ronin RS 2, and smaller drones. Despite the smaller size, the performance, reliability and image quality is great!

Some features include a Super 35mm Dual Gain Output, (DGO) Sensor that is capable of over 16 stops of dynamic range. The DIG!C DV7 Image Processor that you would find in similar Cinema cameras enables up to 4K 120p High Frame Rate recording and Dual Pixel Autofocus. There is also a full 2, 4, 6, 8, and 10-stop internal ND filter system! Lastly for this post, just like in the Cinema cameras, the EOS C70 supports both Canon Log 2 and Canon Log 3 Gamma. The C70 also features HLG and PQ compliance with ITU-BT.2100 in "Custom Picture" presets, which allows you to record HDR footage instantly without grading.

We could go on and on, but we know that's not what you want. What you want is to get your hands on these wonderful cameras, and take them for a spin. SO! Drop us a line, let us know when your next Las Vegas video production is, and we'll get you set up with a great package to capture your cinematic magic!


IMG 8448 scaledBest Film Gear During Coronavirus!

Best Film Gear During Coronavirus!

As the production industry attempts to increase business and productions, it's important to be safe. There are always risks on set, but there are solutions for safety.

Similar to taping down cables, using shot bags on stands, and keeping clear pathways, COVID safety is key! Wearing a mask it a no brainer. It will help keep you and the crew safe... and it masks bad breath! Nevada law requires masks in most businesses and situations; sets and studios are no exceptions. Your on-screen talent is generally exempt from wearing a mask when on camera.

Audio:

Lavaliere microphones should be used a little as possible. If a lavaliere is required, the talent should put it on themselves. A much better option is a shotgun microphone and boom pole. Both the Sennheiser MKH 416 and Schoeps CMIT 5 (my favorite) are great options! Another fun trick, if you're doing ENG interviews, is to use a handheld microphone on a boom pole. You can take the excellent Sennheiser MD 46 cardioid mic, put it on a boom pole, and keep your distance!

Makeup, Wardrobe, Hair:

Talent should come to set with their hair, makeup, and wardrobe done. If however you need touchups or small fixes, crew should wear masks, visors, and gloves. All of these items are readily available for purchase, and don't cost much. The typical problem of a little shine on talent is easily remedied with "shine killer". NYX makes a great "shine killer" that talent can easily apply to their own skin.

Lenses and 4K:

Lastly, while the CDC and other medical experts have said that masks are the key to stopping the spread, socially distancing is needed too. You can only stay so distant on set, so here are a couple items to help you along. Use a longer lens like a Canon 70-200mm L-Series; or heck, a 100-400mm lens, and shoot from really far away! Also, consider investing in UHD/4K. Having the ability to crop in will make it possible to stay further apart, and have less people on set. (The idea is you don't need as many cameras...)

So, there are some ideas and suggestions to keep us safe, healthy, and working. Best of luck!


number19Stay Calm and Keep Filming!

Stay Calm and Keep Filming!

We hope that everyone stays safe and healthy in the coming weeks. We also know that times are tough, especially for businesses. While we can't generate business for you, we can definitely help make it a little more viable. We're offering a guaranteed 19% off all rentals moving forward. (Laughter is medicine.) If you have a production that's on the fence because of budget, let us know and we'll be happy to try and help! Visit F11 Rentals for all your Las Vegas video production needs!


canon 3Canon C300 MKII

Most Popular Cameras from Summer 2019

The Sony FS7 Mark II enjoyed quite a bit of work during the flurry of spring conventions. The FS7 after all, is very popular for run-and-gun, ENG style shoots that usually accompany trade shows. As late spring turned into summer, and the trade shows took their normal breaks, so too did the FS7s. This summer saw the resurgence of popularity amongst the always impressive Canon C300 Mark II. Both commercials and high-end corporate projects dominated the summer months, and the C300 Mark II is perfect for such scenarios. The excellent range of picture profiles, 4K capability, and advanced image processing make this a go-to camera; especially with our cinema lenses. The FS7 did enjoy a hand full of "reality TV" days, as it's again, great for run-and-gun style shooting. Finally, the end of summer saw our Arri Alexa Mini go out for both a short film in Utah, and a few of Las Vegas' exciting music festivals. The truly cinematic capabilities of the Alexa Mini made it a no-brainer for the short film, as well as the very high-end demands of IHeartMusic and Life Is Beautiful. We are definitely looking forward to seeing what autumn brings!


Latin Billboards2019 Latin Billboard Music Awards

2019 Latin Billboard Music Awards

We had the pleasure of providing gear and crew for some wonderful folks from Miami this past week during the Latin Billboard Music Awards. Our gear and crew were everywhere from backstage to the Red Carpet, hotel suites to afterparties and nightclubs. We pride ourselves on being able to provide a wide array of crew and production equipment to handle a myriad of situations. From "run-and-gun" backstage and Red Carpet interviews, to multiple camera, sit-down interviews in hotel suites, and everything in-between, we've got what you need. Canon C300 Mark II and Sony FS7 Mark II, SoundDevices 633 field mixers, Schoeps CMIT 5U shotgun microphones, Litepanels Astra 6X kits, Skypanel S60, Astera Titan Tubes, and a whole lot of great crew to use it. Let us know how we can help on your next Las Vegas video production!


Clean+lens

Servicing Your Lenses #CanonC300 #GearMaintenance

One often overlooked aspect of good production is having your equipment routinely serviced and cleaned. A wise investment is buying a service and/or protection plan above the manufacturers' warranty. Here at F11 Rentals for instance, we send our Canon C300s out for an annual cleaning and "sprucing up"; that insures that everything is running correctly, all the nuts and bolts are tight, and everything is clean, especially deep down. The fine folks over at Canon are trained and able to clean all the intricate and difficult parts of the camera that we here would rather not mess with. We certainly take pride in taking the best care of our products while they're here in house, but definitely don't underestimate the trained professionals that help keep our machine running smoothly. Here in the desert, our production rental gear needs all the care we can give it!


C300 in Low Light

DP David Dalasta of FiveSix Productions, decided to use the Canon C300 for our latest commercial production. Our shoot included filming outdoors at night as well as some driving down the Las Vegas strip shots. We were amazed that we only needed to bump the camera to 6400 ISO to get a properly exposed image. The versatility of the C300 was outstanding and exceeded our expectations.
Our subject a female atop the eiffel tower was lith three LED panels and our Male talent was lit with one LED while driving the car.

Director Bill Aylward, also had us shoot some macro elements using the Canon100mm L Series Lens. We overcranked at 60@24P shooting 720P. Our clients saw the footage and requested an additional spot based just on this footage.


New Cameras Coming to NAB 2012

We are very excited to see what new cameras are going to show up here in Vegas at NAB 2012.
ARRI will showcase its Alexa range of 2K cameras, the Alexa, Alexa Plus, Alexa M, and Alexa Studio, which boasts 14 stops of dynamic range, a base sensitivity of EI 800 and cinematic image quality. Their ergonomics, menu systems and functionality are based on film cameras to provide ease of use for experienced film professionals.

Canon USA will introduce its Cinema EOS Cameras, the Canon EOS C300 and C300PL, designed for digital cinematographers. Available in either EF- or PL-mount configurations, features include a Super 35mm Canon CMOS sensor, Canon DIGIC DV III image processor and 50 Mbps 4:2:2 codec.

Panasonic will showcase the HDC-Z10000, a twin-lenses handheld 2D and 3D camcorder, which is AVCHD 3D/Progressive standard compatible. Also on hand is the AG-3DP1, a 3D integrated twin-lens P2 HD shoulder-mount camcorder providing full 1920x1080 resolution AVC-Intra recording. Another camera debuting is the AG-HPX250, Panasonic's first P2 HD handheld camcorder with 10-bit, 4:2:2 independent-frame, full 1920x1080 resolution AVC-Intra recording.

P+S Technik will show the PS-Cam X35 camera, a combination sync sound workhorse and motion effects camera providing frame rates up to 450, using a 35mm-sized CMOS imager and a global shutter. The film-style digital cinematography camera can be utilized for normal video imaging, as well as slow motion, fast motion, ramped motion and time lapse motion.

Sony Electronics will roll out its F65 CineAlta digital motion picture camera, featuring Sony's 8K image sensor with approximately 20 total megapixels. It provides 16-bit linear RAW file output capability, creating a gateway to an end-to-end 4K file-based mastering workflow. Sony will also showcase its full line of Super 35 mm professional camcorders, including the PMW-F3 and the NEX-FS100U, as well as the HXR-NX70U rain- and dust-proof professional HD camcorder. Two 3D professional camcorders—the PMW-TD300 shoulder-mount model and HXR-NX3D1U NXCAM compact camcorder will also be shown.

It's really up in the air now on which one we will add to the shop here.


Why we picked the Canon EOS C300

After looking at all of the cameras at NAB we choose to add the C300 to our inventory of cameras. If you looked at the white sheets for the differnet cameras our initial reaction was that the C300 didn't have the same bang for the buck as the other cameras out there. Would we like a camera that can shoot super slow mo.... Yes. Do we need it.... No. Does it shoot 4K footage?... No. Have we ever been asked to deliver a project in 4K? No.... After sittiing down with the team we realized that this camera was the best match for 95% of the productions we do.
It delivers the images clients have come to love from the Canon 5D without all of the hassles. It's nice to be shooting on a video camera again. The images are amazing and the camera is very intuative.

When we looked at what we can book, it was a natural fit.(It's on it's 5th day of shooting so far).