Anti-Theft

Protecting your equipment and crew doesn't start and stop on set, it's a full time objective that deserves the utmost attention. Safely and securely storing your equipment, transportation to and from set, and diligence on location, safety and security are a top priority. There are a few main areas to focus on when it comes to protecting your equipment and personal property from theft.

First, how secure is your equipment at your home/office/studio? Do you have a gear cage, are the cases locked, how inconspicuous is your setup? Cages are not cheap, for sure, but there are some steps you can take to protect your items if that setup won't work for you. Padlocks and zip ties on gear won't necessarily stop the item from being taken, but it may deter a potential thief from knowing what you have. From our experience (unfortunately), not every thief knows the value of that Sennheiser MKH416 shotgun microphone, or that that Sigma Cinema lens is more expensive than the Sony a7S. Instead, they'll go for headphones, laptops, things they recognize. This can be a good thing if they make off with something relatively inexpensive and easy to replace, but being robbed is always a horrible experience. Being inconspicuous has real value, what can you do to make it as difficult as possible to see/recognize your equipment?  What can you do to conceal your items going in and our of their storage place? Work harder than the thief would. Think like a thief. Have people you trust look at your setup and make sure you're not missing something.

Gear in your car. Here's a difficult one. You've got to get it to location somehow, and sometimes you need to leave your equipment in your vehicle while you grab food, get gas, etc. One thing you should never, ever do, is leave gear in your car overnight. At very least, take cameras, lenses, microphones, computers, all the really good stuff that thieves will recognize, and bring them with you. A couple extra cases lugged into your hotel or even into Chipotle is worth not getting broken into and robbed. Thieves work quick! You may think you're just having a 20 minute meal, but it only takes a couple minutes for someone to walk by your vehicle, notice that laptop bag on your passenger seat, and smash and grab.

Lastly for now, gear on set. Just because you've made it on set, does't mean you're safe. Do you know everyone on set? Are there additional staff, people around who may have an opportunity to grab something? It's one thing for someone to walk by your vehicle and know what they're looking it, it's a whole different story once all your amazing equipment is out in the open. If you're in a room at the L.V. Convention Center, the Sands Expo, or a suite at Mandalay Bay, make sure that you know your gear is watched over before you run off to grab a coffee or leave for the evening.

In conclusion. You don't want to live paranoid, but you also don't want to have your expensive and wonderful equipment stolen. Be diligent, invest in insurance, and be smart. A lot of this is simply premeditated steps you can do to ensure that you're operating using good habits. Best of luck, and see you on set!


Canon EOS C70 now available!

We have exciting news! We've acquired a few of Canon's new ESO C70 cameras. These cameras are absolutely wonderful, and we would love to tell you about them...

Canon wanted to provide the Cinema EOS quality camera in an EOS R size unit. Think of this camera as a C300 Mark III as a really big DSLR. The size of the camera provides great flexibility and range in how you can support the camera, whether that be by a lighter tripod than the Cinema EOS cameras, a smaller gimbal such as the Ronin RS 2, and smaller drones. Despite the smaller size, the performance, reliability and image quality is great!

Some features include a Super 35mm Dual Gain Output, (DGO) Sensor that is capable of over 16 stops of dynamic range. The DIG!C DV7 Image Processor that you would find in similar Cinema cameras enables up to 4K 120p High Frame Rate recording and Dual Pixel Autofocus. There is also a full 2, 4, 6, 8, and 10-stop internal ND filter system! Lastly for this post, just like in the Cinema cameras, the EOS C70 supports both Canon Log 2 and Canon Log 3 Gamma. The C70 also features HLG and PQ compliance with ITU-BT.2100 in "Custom Picture" presets, which allows you to record HDR footage instantly without grading.

We could go on and on, but we know that's not what you want. What you want is to get your hands on these wonderful cameras, and take them for a spin. SO! Drop us a line, let us know when your next Las Vegas video production is, and we'll get you set up with a great package to capture your cinematic magic!


Best Film Gear During Coronavirus!

As the production industry attempts to increase business and productions, it's important to be safe. There are always risks on set, but there are solutions for safety.

Similar to taping down cables, using shot bags on stands, and keeping clear pathways, COVID safety is key! Wearing a mask it a no brainer. It will help keep you and the crew safe... and it masks bad breath! Nevada law requires masks in most businesses and situations; sets and studios are no exceptions. Your on-screen talent is generally exempt from wearing a mask when on camera.

Audio:

Lavaliere microphones should be used a little as possible. If a lavaliere is required, the talent should put it on themselves. A much better option is a shotgun microphone and boom pole. Both the Sennheiser MKH 416 and Schoeps CMIT 5 (my favorite) are great options! Another fun trick, if you're doing ENG interviews, is to use a handheld microphone on a boom pole. You can take the excellent Sennheiser MD 46 cardioid mic, put it on a boom pole, and keep your distance!

Makeup, Wardrobe, Hair:

Talent should come to set with their hair, makeup, and wardrobe done. If however you need touchups or small fixes, crew should wear masks, visors, and gloves. All of these items are readily available for purchase, and don't cost much. The typical problem of a little shine on talent is easily remedied with "shine killer". NYX makes a great "shine killer" that talent can easily apply to their own skin.

Lenses and 4K:

Lastly, while the CDC and other medical experts have said that masks are the key to stopping the spread, socially distancing is needed too. You can only stay so distant on set, so here are a couple items to help you along. Use a longer lens like a Canon 70-200mm L-Series; or heck, a 100-400mm lens, and shoot from really far away! Also, consider investing in UHD/4K. Having the ability to crop in will make it possible to stay further apart, and have less people on set. (The idea is you don't need as many cameras...)

So, there are some ideas and suggestions to keep us safe, healthy, and working. Best of luck!


Why we picked the Canon EOS C300

After looking at all of the cameras at NAB we choose to add the C300 to our inventory of cameras. If you looked at the white sheets for the differnet cameras our initial reaction was that the C300 didn't have the same bang for the buck as the other cameras out there. Would we like a camera that can shoot super slow mo.... Yes. Do we need it.... No. Does it shoot 4K footage?... No. Have we ever been asked to deliver a project in 4K? No.... After sittiing down with the team we realized that this camera was the best match for 95% of the productions we do.
It delivers the images clients have come to love from the Canon 5D without all of the hassles. It's nice to be shooting on a video camera again. The images are amazing and the camera is very intuative.

When we looked at what we can book, it was a natural fit.(It's on it's 5th day of shooting so far).