The Importance of Lighting Control
Ask any true Gaffer, Director of Photography, Grip, or Photographer and they will tell you the absolute and unquestionable importance of quality lighting control. For, it's not just the quality of the lights, the camera, the lens, and the location, but the ability to control and create the perfect light for your scene that will make or break your shot.
Similar to really great captured audio, really great lighting may not be noticed by the common view, but bad audio/mediocre lighting will be! Anyone can pop up some LEDs or Fresnels, make a couple adjustments here and there, but to know how to diffuse/intensify the light, to bend it, shape it, warm or cool it to just the right temperature, that's what makes the difference. And, in order to become a Picasso or DiVinci or lighting, you'll need the right tools.
Starting with the right light fixture is of course the first step, after that, you'll need to make sure that you get the appropriate items to control the lights. Whether you'll need exterior dimmers, a flag set, 4x4 frames with diffusion or solid, gels, bounces, etc., we've got what you need.
Now, all this said, you should know when to say when... never let your friends over-adjust and drive... But, if you have time, make another change or two, just to see what it does to the scene; you never know when your masterpiece will be created!
For your next Las Vegas video production equipment rental or Sound Stage Booking, reach out to your buddies at F11 Rentals!
Green Screen Filming Basics
Green Screens are a popular way to create exciting, resourceful, and dynamic videos. Corporate and commercial work is a great example. A green screen enables you to add text, graphics, and logos. Also, green screens can really help when a location is not very attractive to film in.
Lighting a green screen correctly is not difficult, but it is very important for the post process. It is critical to have a very even spread of light across the entire screen. Similarly, it is very important to make sure the screen is not brighter than your subject. A great place to start on your waveform is an even line around 45 for the screen, and then your subject's face should be around 60. There are obviously exceptions with skin tones and wardrobe, but it's a good place to start.
For the budget conscience, I would recommend a set of Kino Divas for the screen, and an Arri Tungsten kit for the subject. 750 with a softbox for the key, 300 for the fill, and 150 for the backlight. About $250.00 will get you that gear with us. However, if you have a larger budget, you could go: S2 LiteMat 4s for the screen, a couple Astra Gemini 1x1s for the key and fill, and then a Dracast 1K for the backlight. That setup would set you back about $700.00, but it would be totally Cash Money of you.
Either way you go, we have the video production rental gear you need!