Anti-Theft
Protecting your equipment and crew doesn't start and stop on set, it's a full time objective that deserves the utmost attention. Safely and securely storing your equipment, transportation to and from set, and diligence on location, safety and security are a top priority. There are a few main areas to focus on when it comes to protecting your equipment and personal property from theft.
First, how secure is your equipment at your home/office/studio? Do you have a gear cage, are the cases locked, how inconspicuous is your setup? Cages are not cheap, for sure, but there are some steps you can take to protect your items if that setup won't work for you. Padlocks and zip ties on gear won't necessarily stop the item from being taken, but it may deter a potential thief from knowing what you have. From our experience (unfortunately), not every thief knows the value of that Sennheiser MKH416 shotgun microphone, or that that Sigma Cinema lens is more expensive than the Sony a7S. Instead, they'll go for headphones, laptops, things they recognize. This can be a good thing if they make off with something relatively inexpensive and easy to replace, but being robbed is always a horrible experience. Being inconspicuous has real value, what can you do to make it as difficult as possible to see/recognize your equipment? What can you do to conceal your items going in and our of their storage place? Work harder than the thief would. Think like a thief. Have people you trust look at your setup and make sure you're not missing something.
Gear in your car. Here's a difficult one. You've got to get it to location somehow, and sometimes you need to leave your equipment in your vehicle while you grab food, get gas, etc. One thing you should never, ever do, is leave gear in your car overnight. At very least, take cameras, lenses, microphones, computers, all the really good stuff that thieves will recognize, and bring them with you. A couple extra cases lugged into your hotel or even into Chipotle is worth not getting broken into and robbed. Thieves work quick! You may think you're just having a 20 minute meal, but it only takes a couple minutes for someone to walk by your vehicle, notice that laptop bag on your passenger seat, and smash and grab.
Lastly for now, gear on set. Just because you've made it on set, does't mean you're safe. Do you know everyone on set? Are there additional staff, people around who may have an opportunity to grab something? It's one thing for someone to walk by your vehicle and know what they're looking it, it's a whole different story once all your amazing equipment is out in the open. If you're in a room at the L.V. Convention Center, the Sands Expo, or a suite at Mandalay Bay, make sure that you know your gear is watched over before you run off to grab a coffee or leave for the evening.
In conclusion. You don't want to live paranoid, but you also don't want to have your expensive and wonderful equipment stolen. Be diligent, invest in insurance, and be smart. A lot of this is simply premeditated steps you can do to ensure that you're operating using good habits. Best of luck, and see you on set!
The Importance of Lighting Control
Ask any true Gaffer, Director of Photography, Grip, or Photographer and they will tell you the absolute and unquestionable importance of quality lighting control. For, it's not just the quality of the lights, the camera, the lens, and the location, but the ability to control and create the perfect light for your scene that will make or break your shot.
Similar to really great captured audio, really great lighting may not be noticed by the common view, but bad audio/mediocre lighting will be! Anyone can pop up some LEDs or Fresnels, make a couple adjustments here and there, but to know how to diffuse/intensify the light, to bend it, shape it, warm or cool it to just the right temperature, that's what makes the difference. And, in order to become a Picasso or DiVinci or lighting, you'll need the right tools.
Starting with the right light fixture is of course the first step, after that, you'll need to make sure that you get the appropriate items to control the lights. Whether you'll need exterior dimmers, a flag set, 4x4 frames with diffusion or solid, gels, bounces, etc., we've got what you need.
Now, all this said, you should know when to say when... never let your friends over-adjust and drive... But, if you have time, make another change or two, just to see what it does to the scene; you never know when your masterpiece will be created!
For your next Las Vegas video production equipment rental or Sound Stage Booking, reach out to your buddies at F11 Rentals!
Best Gear for Music Videos
Do you have some funky beats and dope lyrics that need to be seen as much as heard? Well then, my friend, you need a music video! Whether you spit hot fire, shred metal, or rely on Auto-Tune and lots of makeup, a music video is for you. Music videos have transformed the music industry. A TV channel completely dedicated to music (until "The Real World" happened) resulted from music videos. Music videos not only allow you a glimpse of your favorite artists, they allow expanded creativity and vision of their songs. The sky is the limit on creativity, but you need the right gear!
The overwhelming majority of creativity comes from the director. That being said, you need one heck of a talented director to just grab a handy-cam and strike gold. So, start with the following: Astera Titan Tubes (like Hansel, so hot right now!). Litepanels Gemini 1x1, the most versatile LED panel on the market. Easyrig Vario 5, handheld made easier, dutch-angles made dutch-ier. Rokinon Primes; because no one does snap zooms anymore, and you're artist is probably ballin' on a budget. Hurricane Haze Machine... welcome to the jungle.
Las Vegas is a great place to film music videos; from the Strip to the dry lake beds, hotel suites to Fremont Street! When you're in need of Las Vegas video production rentals, look no further than F11!
Most Popular New Production Lights
While the Astera Titan Tubes have been out for a while, they're still hugely popular with Vegas productions. From car commercials to music videos and short films, these lights are amazing! Their range and diversity make them one of the hottest lights in the industry. What's more exciting for us than the Titans however, are the Gemini 1x1 LED panels by Litepanels. The Geminis are essentially Skypanels in a 1x1 frame. The output is brilliant, the bouquet of built in filters is incredible. They can work well as interview lights or as a key source. For your next Las Vegas video production rental, make sure to include a Titan kit or a couple Geminis!
Astra 6X: exceptional LED for rent.
Litepanels Astra 6X are an industry favorite, and for good reason! These 1x1 LED panels are very bright, color accurate, light weight, and run on both AC power and batteries. Astra 6X are exceptionally brighter than their predecessors, and they've proven to work well in a myriad of environments. From green screen or outdoor interview set-ups, to convention room floors, these lights are great. Coupled with soft-boxes, these LEDs make excellent key lights, but are controllable enough to work as fills and even stage lights. If you're next project calls for a versatile, dependable, quality LED, reach out today and book a set of our Litpanel Astra 6Xs.
FloLight LED Panels
We bought a pair of Flolight panel lights about 6 months ago and I thought I'd wait a bit and see how they held up over half a year span. The lights we purchased are daylight balanced with an anton bauer battery adaptor on the back. We've taken these lights all the way from red carpets to the middle of the desert and the ease of use and versatility have made us believers in this type of lighting. For ENG, run and gun type productions, to be able to set up quick, toss on a battery and have 1000w of light without the hassel of cords was a life saver in many situations. Top lights sometimes don't cut it. We do plenty of quick shoots and I find myself packing a flolight more often then not.
There are a few problems I've found that should be shared. First off, all are lights come in balanced between 6000k and 6300k, not 5600k as advertised. The lights aren't built tough, meaning in the 6 month time period we've had them in for flicking, dimmer malfunction and one went toast and stop firing all together. The build quality isn't up to what I would consider production standard. The light can also be a little harsh so a couple pieces of diffusion are necessary if doing any sort of interview which drastically cuts the throw of the light. And, even though we have the gel adaptors, adding gels or diffusion isn't an easy endeavor. However, when we 'separately' purchase the barndoors that problem should be solved.
The most common question I'm asked is how do the Flolights compare to the LitePanels. We rented a couple of LitePanels for a shoot and while we had them we decided to do a few tests for comparison. The Flolights, despite being 6300k, had a more realistic daylight apperance then the LitePanels which didn't even make it to 5600k but closer to 5000k. They were almost twice as bright as the LitePanels and lit our subjects at much further distances. The LitePanels did appear to be studier and have a better build and a few more features like the dual color temps. Oh and the one Flolight costs about 1/3 the price of a LitePanel.
I'm not going to use them for everything but these lights do have a place in my packages and I will continue to use Flolights until I see another panel light that can give me the same value. And though they tend to have a few more malfunctions than I'd like, returning the poor units and customer service has been very good to this point.
The f-stops here.